This contributed to MiniDisc’s popularity with radio stations because it could deliver high-quality recordings of interviews and live performances.
In 2000, the release of ATRAC3 allowed MiniDisc owners to record in MDLP (or Long Play), and sacrifice quality to fit more music on one disc.ĭespite the compression used, the sound quality was vastly superior to MP3s and the other digital formats of the time. The technology went through several iterative changes during its lifespan, though. Although it was a digital format, MiniDisc heavily used ATRAC compression to fit audio on the 60-, 74-, and 80-minute discs.Įarly MiniDisc devices were only capable of manual recording from a line or optical input. Despite some commercial releases, the format was primarily meant to be a replacement for analog cassette tapes. SonyĪ MiniDisc is a magneto-optical disc housed in a tough plastic case, similar to a floppy disk. market in 1998, it finally became profitable around 2000. After Sony relaunched the format on the U.S. It took even longer for the format to see mainstream adoption outside of Japan. MiniDisc was first conceived in the mid-1980s but wasn’t commercially available until a decade later. The company went head-to-head with Philips’ Digital Compact Cassette (DCC) and won the initial battle (the DCC was discontinued in 1996). Sony came up with the MiniDisc after the Digital Audio Tape (DAT) format failed to take off with consumers. Transferring music from your computer to a MiniDisc recorder is also now easier than ever. Cassettes and vinyl are cool again, so what about MiniDisc? Sony’s pint-sized digital format hit the market in 1992, but failed to make much of a splash until around a decade later.ĭespite ultimately losing market shares to flash-based MP3 players, MiniDisc has seen something of a revival.
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